Grade Level: 7–8
Students will be introduced to the life and art of Andy Warhol as a way of considering photography as a self-portrait medium. After viewing and discussing other artists’ photographic self-portraits, students will create their own digitally manipulated photographic self-portrait and then write a poem to describe the point of view taken in their digital work of art.
- Smart Board or computer with ability to project images from slideshow
- Student photograph
- Computers equipped with digital-imaging software such as Adobe Photoshop (or Adobe Photoshop Elements), Corel PaintShop, or other package capable of applying color and/or special effects
- Color printer
- Copies of the "Write an 'I Am' Poem" worksheet
How do you think this self-portrait was made? Why do you think he included four images of himself rather than one?
Andy Warhol became fabulously famous for his 1960s pop art. He produced big, bold images of the popular, the famous, and the stuff of our consumer society. His multi-image portraits of famous people—Marilyn Monroe, Elvis Presley, Jacqueline Kennedy—and of common products—Campbell's soup cans, Brillo pad boxes, Coca Cola bottles—are among the most powerful icons of twentieth-century American art.
Andy Warhol was born Andrew Warhola, the son of Czechoslovakian immigrants, in 1928. He grew up poor (during the Depression) outside Pittsburgh, Pennsylvania, with his parents and two brothers. As a child, Warhol (he later dropped the final "a") recalled having a few friends but also feeling "left out." He suffered briefly from a nervous disorder that caused muscle spasms and kept him isolated. He liked spending time on his own, coloring, taking snapshots with a small camera, and even making films with a movie camera given to him by his mother.
After graduating in art from Carnegie Institute of Technology in 1949, he moved to New York City, where he would have quick success as a commercial artist. He designed window displays, illustrated magazine articles, and drew record album jackets. In the 1960s, Warhol decided to abandon commercial art to focus on making serious visual art. While he hand-painted his first works, he soon developed a silk-screen process that allowed his staff of assistants to mass-produce the startling images of consumer products and brilliant movie star portraits. These works took the art world and the public by storm. In this self-portrait, he used four photographic images of himself (with his trademark “shocked” hair) and silk-screened them, off-kilter, onto a 6-foot square canvas. The result is four big heads, set in supercharged pink and yellow against a glossy, dense black background. The effect is intense and unsettling.
Warhol said he was “deeply superficial” (is that possible?) and that there was absolutely nothing behind his work. Do you think his statements fit with his self-portrait? Is it superficial?
Warhol wasn’t the only artist nor the first to make unusual and thought-provoking self-portraits with photographic images. In preparation for the activity, view the slideshow below to see how two other artists—Ilse Bing and Lee Friedlander—manipulated photographs to say something about themselves. Have students identify how the following choices made by each artist express their unique self-image:
- Costumes and/or props
- Reflective surfaces
- Absence of the physical self
- Presence of other people
Slideshow: Bing & Friedlander: Photographic Self-Portraits
In this activity, students will start with a photo of themselves and then use imaging software to apply special effects and alterations:
- Once students have their photo downloaded to the computer, they can use digital-imaging software such as Adobe Photoshop (or Adobe Photoshop Elements), or other package capable of applying color and/or special effects.
- Start with the crop tool to eliminate any areas of the photo they don't want to keep. They can also play with the size and rotation of their image.
- Next, have them experiment with paint tools, filters, color levels, and any other editing tools available. They could even add text and original graphics to their picture, or copy and paste multiple images of themselves.
- As students manipulate their digital image, have them consider what they want to communicate about themselves. What will the viewer who examines their self-portrait learn about them?
- Students should create two or three different variations of their picture.
Here’s an example of a student’s work of art:
After printing out their finished self-portraits, have students compose a poem based on their digital self-portrait using the “Write an ‘I Am’ Poem” worksheet. Remind students that the thoughts expressed in their poems should be reflected in the image they created in their digital self-portraits.
VA:Cr1.2.7 Develop criteria to guide making a work of art or design to meet an identified goal.
VA:Cr2.1.7 Demonstrate persistence in developing skills with various materials, methods, and approaches in creating works of art or design.
VA:Cr2.3.7 Apply visual organizational strategies to design and produce a work of art, design, or media that clearly communicates information or ideas.
VA:Cr3.1.7 Reflect on and explain important information about personal artwork in an artist statement or another format.
VA:Re7.2.8 Compare and contrast contexts and media in which viewers encounter images that influence ideas, emotions, and actions.
VA:Re8.1.8 Interpret art by analyzing how the interaction of subject matter, characteristics of form and structure, use of media, art-making approaches, and relevant contextual information contributes to understanding messages or ideas and mood conveyed.
In one of our first few Weekend Challenges (then called Projects), we asked you to create a self portrait to introduce yourself to the community. It’s been nine years and this group has grown by ~24,000 members, so we can probably take a little time to reintroduce ourselves.
Here’s a great example from a previous winner, Dana Yurcisin:
You can make whatever you want within the project’s time limit — three minutes — but there’s one additional caveat: you can’t show yourself talking to the camera. Why? Because you’re more than a talking head. You’re a whole person full of guts and emotions! You can show yourself in the frame or speak in a voiceover, but we don’t want to watch you talking to your webcam (do people call them webcams still?).
Aesthetically, one of my favorite video portraits is this Josef Kubota Wladyka’s video from his series of “one-shot stories”:
The camera never moves, and neither does the subject after she walks into focus, but boy oh boy does this hit me right in the feels. Like Josef, take time to really consider the following:
- Your video should be three minutes or less in length.
- If you add music, make sure you use a song you or a buddy created, or one that you have the rights to.
- Only videos made specifically for this Challenge will be considered.
- Anything goes for the title, but add the following at the end of your video’s description:
“Created for the Weekend Challenge: vimeo.com/groups/weekendchallenge”
- Uploading and post your video to the Weekend Challenge Group by Tuesday, May 16, 2017 at 11:59 p.m. (EST). Just follow the screenshots below:
- The winner will receive a free Vimeo Plus membership for one year! If you’re already a Plus member, you’ll get another year tacked on. If you have Vimeo PRO, we’ll give you six more months of PRO added to the end of your current membership.
- The runner-up will receive a free Vimeo Plus membership for six months. Current Plus members will get six more months added on, and PRO members will earn three additional months of PRO.
All videos must be approved by the Vimeo Staff before appearing in the group, so don’t worry if your video doesn’t show up at first; we’ll get to it!
It was nice to meet you all! It was close, but this weekend’s winner is #peytonperry4ever:
Our runner-up is Andras with a self-titled self-portrait.